ORIENTAçõES TOPO DA LO-FI BLUES

Orientações topo da lo-fi blues

Orientações topo da lo-fi blues

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When I heard “Passing Me By” in 1992, I understood the lo-fi aesthetic in the crackling needle and distorted, ghostly organ sample from Quincy Jones’ “Summer in the City”. The saxophone precursor to the chorus also introduced me to a more sophisticated rap-jazz fusion.

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Flower and Bomby sit at the top of the steps from "Get to the Top in 500 Steps" and "Getting Teardrop to Talk" eating bananas. They are sharing one earphone while listening to music on a device that looks like a phone, or an MP3 player.

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It is easy to make the mistake of homogenizing jazz and hip hop into “chill listening” just as bossa nova evolved, watered down, as it made waves through the US.

It's a perfect soundtrack for winding down, studying, or just kicking back and letting your mind wander. So, if you're into mellow tunes with a touch of retro charm, Lo-fi music is the way to go.

Sometimes Lo-fi beats will have a subtle crackle over the recording to add even more nostalgic flavor to them.

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But bossa nova was an aesthetic revolution that did not aim to create “lifestyle music” any more than lo-fi, which incorporates deliberate, idiosyncratic elements such as a noisy recording lofi dragon quality, The Bst Lo-Fi or a break of dissonance such as a non-musical sound…

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The top melody could come in at the chorus to make the beat more interesting and captivating to the listener. It should also blend seamlessly with your chords and/or The Bst Lo-Fi samples. Keep it simple and expressive to maintain the lo-fi aesthetic throughout.

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